Starting Rite

startingrite-cover

One of the best books I’ve read in the last few years has been Starting Rite: Spiritual nurture for babies and their parents, by Jenny Paddison. Jenny has also come down to do some introductory training for the Diocese at two of our events. Starting Rite is a 5-week course based around play and conversation, introducing parents to concepts of Christianity and encouraging them to engage with and bond with their babies.

It can also be used as a baptism preparation/follow-up course.

Here’s what the publisher has to say:

When Anglican priest Jenny Paddison became a mother, there were numerous activities for new parents and their babies on offer: baby yoga, baby massage, baby swimming – but nothing from the church.

In response, she created this five session programme that connects with the immense sense of wonder and joy that new parents experience and provides spiritual nurture from the outset, recognising the innate capacity for spirituality with which we are born.

Starting Rite is designed specifically for babies up to a year old and their parents. It provides a complete practical companion to offering the programme locally, including story scripts, simple songs, ideas for multi-sensory play, as well as lists of equipment needed and how to create a welcoming atmosphere. It explores Christian themes though activities like peek-a-boo, blowing bubbles and splashing in water.

OLYMPUS DIGITAL CAMERA

Starting Rite enables local churches to offer a welcome to all new parents, and can also be used as a baptism preparation course.”

Starting Rite is excellent for reaching out to unchurched people. It’s a great place to start if you have few or no children and want to make your first steps in children’s ministry. Or it can be a fabulous way to refresh and expand on existing baptism or toddler group ministry.

Feedback from Jenny’s sessions was very positive, but a lot of people said, “it’s a lot of work to put the resources together to run the course – and a lot of money.”

So, very slowly, but surely, I’ve started putting the resources together. By the end of this year, I hope to have a set of 5 boxes, plus the book, available to be borrowed all together by churches who want to run this course. We’ll then get Jenny down to do some proper training on the course and address any questions or concerns you might have. So WATCH THIS SPACE, and if you’re not subscribed to Children’s Ministry News, contact youthoffice@stalbans.anglican.org to be sure you hear about the training when it’s scheduled.

Advertisements

New books!

I’ve just bought some new books for the Diocesan Resource Centre – they’ll be officially catalogued soon, but you can borrow them informally immediately if you want.

books

Diddy Disciples is a wonderful resource to help you worship with babies and toddlers. You can use it on Sunday mornings in the creche, or in toddler group, or anywhere else you meet with this age group. It’s very user-friendly for the adults, and physically engaging for the kids. You can find out more (and see sample videos and materials) on their website.

The Story of King Jesus, by Ben Irwin is a beautiful re-telling of THE WHOLE BIBLE, from Genesis to Revelation, in child-friendly language. Full of awe and wonder, this book is especially good for situations where you might only have one or two sessions with a particular group – school visits (“this is what the Christian story is”), holiday clubs, etc – though of course it’s great for Junior Church, Messy Church, etc. as well.

books2

Outdoor Church, by Sally Welch is a terrific and accessible resource for helping churches connect with God’s creation.

It’s ideal for rural churches, but her introduction includes ideas for how to make it work even in churches with very limited outdoor space (or none at all – suggestions are included on how to bring the outdoors in).

Each season has five sessions included, focusing on Bible stories and parables. There is an emphasis on COLLECTING, CREATING, FEASTING, and CELEBRATING, which allows room for people with different spiritual styles and gifts to participate. books3

If you would like to borrow any of these books, get in touch on cme@stalbans.anglican.org . And I’d love to hear your recommendations – what should we add to our Resource Centre to help your ministry?

New resource – labyrinth!

The Diocese now has a LABYRINTH, which is available for churches, schools, and other groups to borrow for use in their own programmes.

If you’re thinking, “what is a labyrinth?,” this short article can tell you a bit about their history and how they can be used for prayer.

Here is ours – in situ in a meeting room at Diocesan Office. It will look even prettier in your church, your churchyard, your school hall …

labyrinth

How can I borrow it?

Simply contact cme@stalbans.anglican.org or youthoffice@stalbans.anglican.org and let us know when you’d like it. If it’s available, you can come and collect it.

I don’t have an enormous vehicle and seven weight-lifters to help me transport it – what do I do?

That’s okay! The labyrinth is made of plastic-backed canvas, so it’s very lightweight and it rolls up easily. It can fit in the passenger seat or boot of most cars, even small ones, and I can personally testify that a small woman who doesn’t work out very much can comfortably carry it under her arm for a ten-minute walk.

How do we use it?

There are no right or wrong ways to use a labyrinth. The simplest way is to walk through the path, slowly, pausing whenever you feel like it, and then walk back out.

You can also provide meditations or prayer activities at certain points along the path.

You can encourage people to walk the labyrinth barefoot.

You can line the path with electric tealights and dim the room the labyrinth is in.

You can play music, have incense burning, or have other sensory elements added.

You can use it as part of a story, as a response to a story, or as prayer.

You can just have it available when your church is open, or deliberately use it as part of a service or activity.

It’s up to you!

The only ground rules I would recommend you make clear to children are those you would do with any physical activity – giving other people space, not pushing or shoving, and a reminder that a labyrinth is a quiet and peaceful time, not a race.

Is there a leaflet to go with it?

Here’s the text that goes with it in its current space in the cathedral. You are free to use or adapt this as you like:

Our lives are like a long trip.

Sometimes the path is wide and easy, sometimes it’s narrow and hard.

Sometimes we feel far away from where we’re going, but actually we might be nearby. Sometimes we feel near to where we want to be, but we’re actually far.

People of all ages can walk this labyrinth.

You might want to think about all the places your feet have travelled through your life, and pray for the people in those places.

There are a few mistakes in this labyrinth. Maybe they remind you of times when things have gone wrong, and you’ve had to try to fix them.

Maybe they remind you that our lives, and ourselves, aren’t perfect, and that’s okay.

A labyrinth is a place to spend time walking with God. Take your time. Pause. Breathe. Pray.

I’d like to make my own, since I don’t live in your Diocese or I want to use it without having to play far ahead. How can I do it?

Here’s the tutorial I used. The total cost was about £50.00 – two dust sheets, duct tape to hold them together (I didn’t spend time sewing, like in the tutorial), paint, string. I had to adapt it slightly because I used two dust sheets and that meant the circle had to be an oval instead.

The Prodigal Daughter

In 2016, I went to the European Conference of Christian Educators, where I saw Bibliologue storytelling done with chairs – you can find a short summary here.

I then used it when I did Prodigal Son prayer stations with Readers a few weeks ago – you can find a write-up of that here.

Now John Griffiths and Jonathan Evans, of St Cuthbert’s Church in Rye Park, have done a script using the image of a mother and two daughters, and given me permission to share it. They used it in worship on Mothering Sunday.

Note how most of it is simply the Biblical text, with a few small changes – and how the story is stopped at different points to wonder about how characters are feeling at that specific moment. By focusing on each section of the story individually, you might draw out details that would get missed if you saved up the wondering until the end. (However, for some people, it might interrupt the flow of the story, and they would get more by waiting until the end for wondering. This is why mixing up different approaches can be good.)

The Prodigal Daughter

 

Place three chairs by the steps of the sanctuary carpet.  One larger and two smaller and say:

There once was a woman who had two daughters.

Move the ‘younger daughter’ (i.e. a smaller chair) over in front of the mother’s chair. 

The younger daughter said to her mother, “Give me my inheritance NOW
so that I can enjoy it.”

pause

So the mother divided her property between them.

Move the ‘younger daughter’ a little way along the road. 

Place the mother in the centre.

Move the ‘older sister’ off to the side (almost out of the scene).

move to the younger daughter chair and say

The younger daughter gathered all she had and travelled to a distant country

She spent her money on wild parties and having a really REALLY good time.

Move the ‘younger daughter’ towards the ‘end of the road’ (top of the central aisle)

I wonder. What is the Mother thinking?

I wonder. What is her older sister thinking?

 

But the day came when she had spent all the money her mother had given her and she had nothing left. 

Turn the daughter’s chair onto its side.

There was a severe famine in that country and she was hungry and poor.
So she went and hired herself out. To a pig farmer. Who made her look after pigs.

She was so hungry that she would have been grateful if she was allowed to eat what the pigs were eating; but no one gave her anything.

 

Then she came to her senses, she said to herself

“All my mum’s maids have plenty to eat, but here I am dying of hunger!

I wonder What is the younger daughter thinking?

 

I know what I’ll do. I will go to my mother, and I will say to her, “Mother, I have sinned against heaven and before you; I am no longer worthy to be called your daughter;  could you give me a job around the house?”

Move the daughter on the road towards the other two chairs

So she set off to return to her mother.

Move the mother down the road towards the daughter, say:

While she was still far off, her mother saw her and was filled with compassion;

Her mother ran and put her arms around her and kissed her.

Move both the mother and daughter close to one another at the bottom of the aisle say:

Her daughter said to her, “Mother, I have sinned against you; 

I am no longer worthy to be your daughter.”

But the mother said to the staff, “Quickly, bring a dress – my very best one  – and put it on her; put a ring on her finger and my favourite shoes.

Remember her favourite meal? – go and make it, and let’s eat and celebrate;
for my daughter was dead and is alive again; she was lost and is found!”

And they all began to celebrate.

Move the mother and daughter’s to the centre of the sanctuary blue carpet

When the elder daughter came home, she heard music and dancing.

She called one of the maids and asked what was going on.

The maid replied, “Your sister has come home, and your mother has made her favourite because she got her back safe and sound.”

But the older daughter became angry and refused to go in.

 

What is the older daughter thinking?

What is the mother thinking?

 

Move the mother to the back of the carpet in front of the elder daughter, say:

Her mother came out and began to plead with her.

Twist away the elder sister and say

She said to her mother, “Listen! For all these years I have been slaving away for you, and I have never disobeyed you in anything; yet you have never given me a single night in with my friends.  But when young madam went off and played the tart and wasted all your money comes back. YOU treat her like a princess!

Move to the Mother chair, and say

The mother said to her, “Oh Darling, you are always with me, and everything that is mine is yours. But we had to celebrate, because your sister was dead and has come to life; she was lost and now she’s found.”

What was your favourite part of the story?

What was the most important part of the story?

Which person in the story did you most connect with? 

All-Age Prodigal Son Prayer Stations

On Saturday, I was asked to lead an hour and fifteen minutes of worship at a retreat/meeting day for the Readers in our Diocese. The ideas I used were supposed to engage the adults present on the day while also inspiring them with things they could take home and use with children in their churches. So they had to be TRULY All-Age!

I led about half an hour of worship at the beginning – the slides for this can be downloaded by clicking here: Readers Retreat Day. For the story, I used Bibliologue, which I’ve written about on this blog before. The song I used is a Hebrew melody, using language from Isaiah as a prayer for reconciliation – appropriate to the story of the Prodigal Son. If you don’t know it, you can hear a tinny recording of me singing it in my office here. The two parts can be sung together, as well – I had the congregation try this. The Lego prayers referred to in the slides can be found here.

Then we had about half an hour to explore prayer stations, which I’ve detailed below. During this time, I played my YouTube Lent playlist, to create a contemplative atmosphere.

In putting together the prayer stations, I was loosely guided by three things:

  1. The different parts of the story. Some had quotes on them from the story to show a focus on that particular element. Some were more general.
  2. The four spiritual styles detailed by Dave Csinos in his book “Children’s Ministry That Fits,” and based on work by several others: Word, Emotion, Symbol, Action.
  3. A model from a colleague who told me her prayer life operates in three ways – inward (ourselves), outward (others), and upward (God). (She may have got this from someone else – if so, please let me know!)

At the end, I gathered the group back together and talked about how the Prodigal Son is an apt parable for Lent – it shows a time of alienation, ending in reconciliation. Just like the son and father are reconciled at the end, we are reconciled with God at Easter. I read the following from an essay by Debie Thomas on the “Journey With Jesus” blog:

“How exactly did Jesus spend his time?  Was he tempted 24/7?  Did he walk for miles each day, or camp out in one spot?  Where did he sleep?  What was the silence like, hour after hour after hour?  Did he break it up by humming, laughing, or shouting?  Did he star gaze?  Play with birds?  Chase lizards?  As the days stretched on and on, did he fear for his life?  Question his sanity?  Wish to die? Mark — given, as ever, to brevity — leaves all of these questions unanswered.  But the few details he does include in his account are telling, and they give us much to cling to as we face deserts in our own lives.  I’d like to focus on three:

  1. Jesus didn’t choose the wilderness.
  2. The struggle is long.
  3. There are angels in the desert. “

Then I said that we are still in that desert time of Lent, but we know Jesus is with us even there, even in the desert. We closed with this wonderful video and some wondering questions.

So now, on to the prayer stations …

readers9readers10readers11

I focused several stations on the opening part of the story – the idea of leaving home and going to a distant land. Here, I invited people to think about those who are forced to leave home because of war, and to reflect on what they would bring if they had to leave home quickly. There were then ways to take action on refugee issues.

With children, I might not provide a “donate now” text code.

You can download the leaflet here.

readers8

Lots of people wrote prayers for countries where they had connections, or where there is violence. When I’ve done this with children, they often pray for the places their families come from, or places they have been on holiday.

readers6

This was a very popular station. The cardboard outlines of people are available from Baker Ross, and are a very flexible resource to have on hand.

readers1readers2

This was also a very popular station … I can’t imagine why!

There is not just solemnity in the story, but also rejoicing. So I thought of the image of a party, and went with cake and balloons. Participants were asked to think of something that was going well, and write it with a Sharpie on a balloon. The balloon was left on the altar as an offering of thanksgiving, and then people served themselves cake.

I provided one cake that was Gluten/Dairy free.

readers13One thing I learned … make sure you have a plan for what to do with all the balloons afterwards! If you’re not able to pop them afterwards (we had lunch, then a Eucharist, so I couldn’t), bring a big bag to carry them out in! I did multiple trips to the car, and my back seat is now full of unpopped balloons …

readers5

For people who prefer contemplative silence, we had a side chapel available, with the words of reassurance given to the older brother – “child, you are always with me, and all that is mine is yours” – and some glittery candles. These are electric candles, also available from Baker Ross, and great for staying safe with under-5s. Older groups may wish to use real candles, but still make sure an adult is on hand.

readers12

For those who pray best by talking and sharing with others, the Table Talk sets are great! These are available to borrow from Diocesan office – we also have special sets designed for use with Messy Church and for use with teens. Because this was a bought rather than custom-made resource, this prayer station wasn’t specifically about the story. But the fact that it has questions about the nature of God, and friendship/relationship, means it addresses some of the same questions the story does.

readers3readers4

This station was about the story as a whole – and again, all these resources are available from Diocesan office. We had fuzzy felt, “The Lost” storybag with its wooden figures of the story, and the wonderful knitted pigs made for us by the Mothers’ Union. I printed out a copy of the story and encouraged people to read it and play with the materials.

readers7

And finally, there was a very general open-ended art table, with some ideas to encourage people who might feel stuck when told to “make anything.”

Many of these ideas can be adapted VERY easily for use with other stories – and could be used in Junior Church, Messy Church, All-Age Worship, and more.

 

Estate agents and Christenings

anniversary

A year ago this month, I completed the purchase of my flat.

I got the card above in the post the other day.

On the back was a brief handwritten note from my estate agent congratulating me, saying she hoped I’d been happy in my new home, and to let her know if I needed anything.

And of course I was reminded of Ann, a woman from the church where I served as Children’s Worker for seven years, who lovingly wrote anniversary cards to the family of every child we baptised, until she became too frail to keep it up.

There’s something about the personal touch, about a handwritten card dropping through your letterbox, that makes us feel like someone’s gone the extra mile to care for us – whether that’s simply good customer service, like in an estate agency, or in the broader and more holistic relationship of pastoral care that churches provide.

So if you have an aging congregation, you don’t necessarily need to train them on Mailchimp and social media (though some of them may be more familiar with it than you are – you never know) – don’t forget that a simple handwritten card saying “we remember this important occasion in your life. We shared it with you. We’re here for you” can make a real difference.

A few tips on making the most of it:

  1. To make it easier, set up a system whereby as soon as a baptism happens, the date goes on a list, broken down by month. That way, the person writing these cards isn’t chasing down 35 separate pieces of paper every few weeks to try and get it done.
  2. Have a basic “suggested wording” (I’ve written one below), but feel free to add special details or memories.
  3. Remind them of what you have to offer them now
  4. Make sure the person/people writing the cards know who to notify when stocks are low! (A quick Google for “baptism anniversary cards” turns up lots of possibilities for you to choose.)

One possible wording:

Dear Alan and Sarah,

All of us at St Martin’s send you our love on the anniversary of Jonah’s christening. We hope you have fond memories of this special day. We are praying for you, and Jonah, and Jonah’s godparents, as you all continue to journey together and grow with God.

We promised on that day to be your church family and support you as you raised Jonah to know and love God. We are always pleased to see you at worship on Sunday at 10 am or at  our Messy Church on the first Saturday of the month at 3 pm.

May God be with you and Jonah on this special day.

Love,

Revd Jane and everyone at St Martin’s

 

Messy Church klaxon!

Messy-Church-Event

We’re having a study day on the 3rd of March to look at the topic of WORSHIP in Messy Church.

How can you do worship that engages all ages?

How can you make worship accessible for those new to church?

How to connect worship well with your activities?

And more!

The day is FREE for those paying out of their own pocket – clergy and readers with a training allowance are expected to use it to cover the costs of their place. Lunch is available for a small extra fee.

Book your place now!

Stained glass that works!

There are so many ways NOT to do a stained glass window craft, and I’ve probably tried them all.

Black paper and tissue can work, but it means designs end up being abstract, with no opportunity for children to play with symbols and images.

Trying to draw and cut silhouettes requires a lot of practice – children don’t easily grasp the concept that the details you draw on your silhouette won’t show up in the window.

However, after much trial and error, I’ve now finally found a way to create the translucent effect in a user-friendly format.

You will need:

  1. Wax paper (available from Amazon). Please note, this is NOT the same as baking parchment.
  2. Sharpie pens.
  3. Ideally, a laminator.

If you don’t have a laminator, you can make frames for the windows out of stiff card – but this is probably more labour-intensive.

Simply cut the wax paper to the size and shape required, and let the children loose with the Sharpies. When they’re done, allow the work to dry fully before laminating.

Notes:

  1. Some Sharpies are permanent. Roll up sleeves, use aprons, etc., if needed to protect clothing.
  2. The laminator should be used on a fairly low setting – I did a test piece with my own drawing to make sure the laminator didn’t melt the wax and destroy the work, but I can’t promise this wouldn’t have happened on the top heat setting.

Christmas Concentration

Who remembers playing concentration as a kid?

The rules were so simple – you mixed up the cards and set them out, face-down. You took turns turning over two cards; if they matched, you got to keep them. If not, you had to turn them back over. It’s gently competitive, hard to cheat at, can be played over and over without new equipment, and boosts memory and concentration skills.

It’s also a great way to reinforce the imagery of Bible stories.

A few Bible-based “concentration” games exist, like this one from Orchard Toys, or Alphabet Alley’s “Bible ABC” matching game. (Conflict of interest alert – I own Mustard Seed Kids, the source of that second link.)

But why not make your own? With card, an internet connection, a printer, scissors, and some glue, you can make unique concentration games for any Bible story or festival that has a variety of interesting images.

Here’s the set I made for Christmas:

concentration

If you want it to last longer, you should laminate the cards.

As always, when working with images, it’s important to keep a few things in mind. First of all, I’m not an expert on “fair use” of images – obviously, nobody’s making money off this set I made, but if you want to be on the safe side, use Wikimedia Commons for pictures that are free to use, or get a subscription to a clip art or stock photo site.

Secondly, I deliberately used photos for many of these to make the images more vivid – paintings are wonderful (see my previous post for some ideas on using paintings in Junior Church) but photos can help remind us that these were real people! (As can paintings that creatively re-set Bible stories in modern settings … but I’m getting off topic). The image of the shepherd is a modern Palestinian shepherd, and Mary is from the film The Nativity (it’s the same actress from Whale Rider.)

Thirdly, I included a few images they won’t already be familiar with, in the hopes that this game will inspire questioning and learning. The rose is not something we normally associate with Christmas. The blog, “The Jesus Question”, has a wonderful explanation of how rose imagery is used at Christmas by both Catholics and Protestants – with pictures, song lyrics, video clips, and more. The writer there says:

“There does arise one cohesive ‘Christmas Rose’ image: A plant (the Tree of Jesse, …), springing up from Israeli soil. God is the seed, Jesse and others (Abraham, Moses, David, etc.) are the roots, Mary is the stem, and Jesus is the crowning blossom. All the people in the lineage of Christ helped bring him into the world and make up this giant, leafy, flowering plant. And now non-Jews are being graciously grafted in (Romans 11).”

This game could also be included in a children’s corner in church, or as an activity in Messy Church, or as a prayer station in All-Age Worship …

What other festivals could you make concentration games for? What images might you use?

Easy Junior Church/Messy Church idea

Last year, my Junior Church did the Old Testament, in order (with breaks for celebrating major festivals). This year, we’re doing the New Testament. This means that last Sunday we did the Annunciation, and I decided to use one of my favourite lesson ideas – which can work for almost ANY Bible story.

Here’s what you do.

Either during, or after, you tell the story, you show a few very different artistic interpretations of one of the key scenes. Here are the Annunciation pictures I used:

annunciation-1824.jpgLargeannunciation-juan-de-flandes-1519-9eb786e3annunciation-tannerJN958 Canticle of Mary

annunciation5

Notice there are a lot of differences. I made sure at least one showed Mary with a darker skin tone, and they weren’t all “old masters” in style, and after that, I basically just went with what struck me.

I asked the children:

  1. What do you notice about these pictures? (They noticed Mary had a halo of stars in one, that she looked sad in some and happy in others, and more.)
  2. What do some of them have in common? (They noticed some of them had the dove, which meant we could talk about the dove as an image of the Holy Spirit. They also noticed that Mary was wearing blue in a lot of them, and this meant I could talk about how she’s traditionally shown wearing blue, and that up until recently, blue was a “girl’s colour” because of that. )
  3. What are the differences? (This allowed us to talk about how different artists have different ideas of what the angel might have been like, and what we thought about those different ideas.)
  4. Why do you think the artists chose those colours?

These questions got them examining the art, and the imagery, and the emotions of the scenes, in much more detail than a lecture would have. And it meant that our discussion – which ranged from “are there boy colours and girl colours, really?” to “why do we show the Holy Spirit as a dove?” felt like it belonged to them, rather than being imposed by me. Of course, because I had specifically chosen the images to suggest this kind of noticing, I had created a context in which these discussions could happen, but they picked it up, and ran with it, and made it theirs.

I then asked them to think about how they would show the scene. To think about the questions we’d asked about the artists whose pictures we’d looked at, and ask themselves the same questions – what do I want the angel to look like? What images do I include? What colours? What is Mary’s expression like? I had provided a variety of multimedia materials for them to play with as they did this.

For those who didn’t feel like doing that activity, I provided:

  1. Lindisfarne Scriptorium colouring images of the words of the Magnificat
  2. A toy and book corner, with a toy church, puzzles, Bible storybooks, a prayer station, etc. (We have this up every week, so it’s effortless)

Here are some of the results:

annunciation1
B represented the angel as a pillar of light and sequins – this reflects the imagery used in the Tanner annunciation above, and also the pillar of fire in Exodus. We have a stamp set that includes a bird, so she used that for the Holy Spirit.
annunciation2
S is using the Baker Ross scratch art sheets to copy the seated, awe-struck, nervous Mary from the Tanner annunciation. Copying is a legitimate stage of art – here she has clearly focused intensely on Mary’s body language and her facial expression, entering into the scene and training her eye in observational drawing.
annunciation3
In storytelling, we talked about how often God’s messengers tell people “do not be afraid” – and that this suggests that meeting an angel is a scary thing! One child incorporated these words into their work (like one of the Annunciations above included the words of the Magnificat). Mary’s body language is surprised and perhaps afraid, and the child has also included imagery of stars and doves from the art we looked at.
annunciation4
A very detailed angel took up most of the page here. Mary didn’t even get a look-in! Again, artists make very different choices in how they show a scene, and that’s perfectly fine.

Benefits of looking at different pictures of the same Bible story:

  1. It makes us think. When we look at one image, we tend to go, “oh, okay, that’s what it looked like, I’ll copy that,” and we don’t think, “maybe it looked different. Maybe Mary was scared. Maybe she was excited. Maybe she was both. Maybe the angel looked like a person with wings. Maybe it looked like a pillar of light. Maybe the room was dark.” It breaks our tendency to accept a pre-digested “default” version of the story.
  2. It shows us Christianity through time, and around the world. This is an opportunity to show artists of ethnicities outside Western European, artists who are women, portrayals of the Bible story set in different times and places, and much more.
  3. It gives us permission to experiment. If there’s no “one right way” to show the story, then that gives you freedom to try, and explore, and discover new things about the story and about God. And isn’t that the point?

For more on using diverse art in your Junior Church, Messy Church, and more, try these resources:

The Christ We Share

John August Swanson (Artist)

Jesus Mafa (the main website appears to be down, but many of the images are here)