Tag: storytelling

Storytelling on Zoom/YouTube, part 2

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Now we’ve looked at the props that can be helpful, how do you set up and start doing online storytelling? Much of my approach is a similar ethos to Godly Play, and may be familiar to practitioners of it – however, a lot of what I do is adaptable for different styles of worship.

The Space

I’ve found my videos fall into two main categories – stories and discourses. For stories, you need a setting and characters and events. You’re basically creating a stage. For discourses (eg Matthew 25:31-46, the video for which can be seen here), you’re using images and symbols to illustrate words spoken by Jesus or a prophet. For these, you may just want a circle of fabric, and lay out different objects on it.

An example of a layout for a “discourse” text – the Beatitudes, for All Saints Day in Year A. Items are added one by one as the narrator goes through the reading.

I’ve used different spaces around my flat and garden for filming. During Ordinary Time, I used a green tray to show the colour of the season (the removable top of an IKEA tray table, available here) but at other times, I’ve tried to replicate a landscape more realistically. For parables involving plants, I’ve sometimes gone out to my garden.

The landscape I set up for the Easter story, with basic materials, early in the first lockdown.

On Zoom, the storytelling space needs to be near where you’re sitting for the session, and you’re generally using a webcam instead of a camera to capture it. For this, I’ve set up a shoebox next to me on the table, and covered it with a white cloth. I’ve placed plain cardboard behind the shoebox, and held the cardboard in place with rocks behind it – basically, creating a mini stage. I’ve then brought a table lamp over beside it. Then, at story time, I’ve turned the camera and manipulated the figures on this stage.

With Zoom, you also have to be aware of interruptions. Having a different “storytelling stage” and encouraging participants to switch to speaker view and mute themselves until wondering time, can help reinforce the “set apart” nature of storytelling time and help them enter more fully into the story.

If you don’t live alone, you have more options, as long as one of your household members is willing to play production assistant and/or camera operator.

The Structure

Consistency and familiarity are key here, for two reasons. One, children enjoy ritual and repetition, and it helps learning. Secondly, if I’m re-inventing the wheel every week, it’s more stressful for me.

I’ve structured my videos as follows:

  1. I begin every story video by lighting a candle and saying “we begin by lighting our candle, to remember God’s light is with us, wherever we are.”
  2. Then, if there’s any context needed for the story, I give it. This means reminding children where this story fits in the broader sweep of the Biblical narrative, or else introducing a new season of the church year and therefore a new focus of the stories. For example, the video from Advent 1)
  3. Then I tell the story. I try to keep it simple, but without sacrificing richness.
  4. We spend some time wondering about the story – this means the story can be interactive, even though it’s virtual, and children’s thoughts and reflections are valued.
  5. Finish by blowing out the candle.

Depending on your skills and preferences, you may want to include movement, or singing, or something else, as part of your structure. And of course you can tweak it as you go. But I’ve found keeping a fairly consistent format works well – people know what to expect, it feels like church, and I don’t have to start from scratch every week.

Timing

I try to keep the story to four or five minutes and the wondering questions to around two minutes, so the videos are 6 – 7 minutes total. Assuming people are pausing the video to respond to the wondering questions, this means the story and reflections will take 10 – 15 minutes. This is designed to fit well within a half-hour family service, or a full all-age Eucharist.

Do you have any top tips, or experiences to share? Let me know in the comments!

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Storytelling on Zoom/YouTube

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I’ve spent the last ten months making weekly storytelling videos for YouTube (you can find them all here) and so I’m thinking I’ll do a few blog posts about things I’ve learned.

A few caveats –

First of all, the videos I’ve made have been pre-recorded. I’ve done a bit of live storytelling over Zoom with children present, but not a huge amount. Making something pre-recorded is different from doing it live.

Secondly, I’m fairly comfortable with the writing/language part of it – sometimes I use a script (we have the Beulah Land and Godly Play scripts and I can send these to you if you’re in the Diocese), and sometimes I’ll use the text from a children’s Bible, but in general I’m happy reading a Bible passage, making a few notes, and then improvising turning the text into a story that’s accessible to children, trusting that I can make the language and the story arc work. If that’s something you struggle with, and you have big questions on “how do I even connect with children,” that’s a bigger post that I haven’t quite got planned yet.

But the first thing – and the subject of this post – is, what do you need?

Spot the Production Assistant.

There are lots of Bible storytelling videos out there that use Lego, so if you have a lot of Lego, that’s a good starting point. But I found myself stuck at home last March, suddenly having to use only what I had to hand. Here are the things I’ve used over and over, which form a good basis for most stories. I store them all in a basket under my desk, so I can just get them all out at once and put them all back easily when I’m done.

  1. A fairly neutral olive wood Nativity set. I use one of the Kings for Jesus, the Mary figure is many female characters, the other Kings, shepherds, and Joseph take on other roles, and also “the crowd” as needed. If you have a second, smaller set (I happen to have one), it’s very useful for providing “children.” The sheep, cow, and donkey provide generic animals for stories and backgrounds. A more realistic Nativity would be recognisably, and specifically, those characters. A neutral wood or stone one provides more flexibility.
  2. Plain fabric for creating backgrounds and landscapes. White, blue, green, and brown. I use a blue shawl which is dip-dyed and therefore has shifting blue on it, which makes lovely water. The white can be ripped up to make tablecloths and, for the Lazarus/Easter story, gravebands. You can spread them across tables to create the ground or hang them from walls/over radiators to create sky. My living room was already painted blue, which was lucky, so I can use my wall as the sky.
  3. Wooden blocks. For building houses, walls, and tables.
  4. Play-doh or Plasticine. For making small versions of things like food.
  5. A small plant in a pot. Again, for landscapes – lots of stories have trees in them. Wrap fabric around the pot to blend it into the landscape.
  6. A collection of rocks and shells. It’s astonishing, when you start looking at it, how many stories have references to stones in them. They also create landscape detail, and you can use them to mark out roads and paths for your characters to travel – the Nativity story, the Prodigal Son, etc.
  7. A bird. I use a dove Christmas tree ornament. Useful for stories where the Spirit appears, but also as a symbol to add to a layout when Jesus is talking about peace.
  8. Generic-looking coins. Useful for a lot of parables.
  9. A candle. Again, useful for stories where the Spirit shows up as fire, but also to light and extinguish to mark the beginning and end of a story or session.
  10. A sense of humour. My cats have wandered into the shot sometimes and I’ve kept going, or they’ve started yowling and I say “I think he has something to say about the story!” I’ve knocked figures over, set fabric on fire, and made my phone shut down due to overheating by holding it over a candle while filming.
  11. A moveable light. Helpful for obvious reasons.
  12. A phone stand. I’ve been holding the phone with one hand and moving figures with the other for ten months, and it’s ridiculous. I’m going to buy one of these, which I should have done ages ago.

With this fairly basic set of props, you’ve got the building blocks of most stories. Yes, you’ll occasionally find yourself having to track down “something to symbolise ‘I was a prisoner and you set me free'” (I used keys), but this is the “capsule wardrobe” of your storytelling kit.

“Once Upon A Time …”

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Think about a story or book that meant a lot to you as a child. What made it so special?

I ask this question at some of my workshops, to start a discussion about telling Bible stories in our groups. Often, the answers are very similar from one group to another – some of the most common are:

  • There were characters I identified with.
  • I loved the world it was set in and I wanted to live there.
  • It gave me hope, or inspiration, or got me through a tough time.
  • My grandmother read to me, and being in her lap and having her read me a story is a special reminder of our relationship.
  • The person who told/read me that story clearly loved it, and their passion for that story was contagious.

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All of these things about stories can help us think about how we pass on the stories of the Bible to children in our groups, and how we encourage parents and carers to read Bible stories at home. I have a Pinterest board of good Children’s Bibles or Bible stories – many of them are designed to be read aloud. The ones that work for under-5s can be given as gifts to Christening families if your church has the budget, and parents/carers can be encouraged to read a Bible story at bedtime. That special time with a beloved adult, hearing the stories of God’s people, will be treasured.

It’s also a reminder that the relationships we form, as children’s ministry leaders, are important. If we know, and care for, the children we tell stories to, our storytelling will have more impact, because it will come from a relationship of trust and love.

Ecce Ancilla Domini! (The Annunciation) 1849-50 by Dante Gabriel Rossetti 1828-1882
A very human, relatable Mary in Dante Gabriel Rossetti’s Annunciation. The model is his sister, the poet Christina Rossetti.

Another thing I take from this is how important it is that the Bible is full of diverse characters, and we need to include a broad range of them, for children to identify with. If we portray all Bible characters as perfect, obedient, brave, etc., we limit children’s ability to connect with the stories.

Moses was far from obedient to authority – he was a troublemaker for Pharaoh and other oppressors. Joseph went on a journey from arrogance to reconciliation. Ruth showed bravery and faithfulness in a new country not her own. Esther stood up and spoke truth to power, risking her life. Daniel stayed true to his own conscience, no matter what. Peter could never remember to think before speaking. John wasn’t afraid of having strong emotions. James was trying to follow Jesus while also feeling responsible for his little brother. Mary Magdalene wasn’t believed by her own friends when she told them what she’d seen. All of these are traits and experiences that children can relate to – let’s remember that we’re talking about real people in our stories, not idealised cardboard cut-outs!

The power of stories to get us through tough times, or give us hope, is also clearly relevant to our Biblical storytelling. The stories in the Bible are full of loss and pain, exile and despair – they tell the story of people who, in the words of the Beulah Land feltboard storytelling set, “lied and cheated and stole from each other, they fought and hurt and killed each other, and trampled the poor, and spoiled God’s earth, and worshipped gold and silver instead of God.” But the Bible also tells us that God never stops loving us, God never stops trying to save us, and that God has fought death for us, and won, and invites us to share in that new life in a Kingdom where death and suffering and cruelty are no more.

Often, we are afraid of some of these stories – and, in many cases, for good reason. The Bible is also full of what seems to be God-sanctioned genocide, and patriarchy, and the deaths of children as revenge for the sins of their parents. So we shy away from the tough stories, and give our children only the parable of the lost sheep, and the creation, and a sanitised version of the Christmas story without the politics of occupation and oppression. But that means we’re depriving our children of the very heart of the Gospel – that evil and oppression and cruelty are real, but that God’s love is stronger than them, and God will never abandon us. (What we leave out, and how, is a difficult question, and one that deserves more space than I can give it here.)

cloven-skies
Space for awe and wonder – a child’s artwork after learning the hymn “It Came Upon a Midnight Clear.” This is pretty spooky and intense, with a real sense of MYSTERY, and was the child’s own idea. The adult supplied a variety of craft and art supplies, but left the activity to be child-directed.

And let’s not forget to leave space for awe and wonder. I’ve heard this spoken in many ways in response to my question – and about books from The Famous Five to the Narnia Chronicles. That longing to be in that world, with those people, the way a book fires our imagination and gets us wondering. Creating that space for a child to explore the story for themselves, to make meaning out of it, and to play with it, is very important. This means we don’t need to draw a moral lesson from every story – the story itself can be the gift we give to children. Open questions like “I wonder …” questions can help your group explore what the story means without closing off the power of imagination. And providing response time that isn’t just reading comprehension or creating an identical craft can also encourage children to enter deeply into the world of story, and make it mean something to them.

For expansion on these ideas, I recommend Rebecca Nye’s “Children’s Spirituality: what it is and why it matters,” Gretchen Wolff Pritchard’s “Offering the Gospel to Children,” or Elizabeth F. Caldwell’s “I Wonder … engaging a child’s curiosity about the Bible.”

The Lord is my Shepherd

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Psalm 23. One of the first bits of Scripture many of us learned. One of the few Bible passages most people still recognise and find comforting. The theme tune for The Vicar of Dibley.

It’s worth breaking out of the Bible STORY mold occasionally and introducing children to the other parts of the Bible – primarily the poetry and prophecy. This has several benefits – first of all, the rich imagery of these passages can be very meaningful to children, and secondly, it plants the idea, early on, that the Bible is a complex book full of many genres of writing.

Here are a few of my favourite Bible books that can help do this, starting with two retellings of the classic 23rd Psalm.

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FOUND, by Sally Lloyd-Jones, illustrations by Jago.

Simple text and beautiful illustrations remind children of God’s enduring love and care. A perfect book to read aloud at bedtime, give as a baptism gift, or have in your church creche/children’s corner. You can also use it as the story in Junior Church for an under-5s group. (We have a copy of this in the Resource Centre if you’d like to borrow it.)

 

psalm23-2PSALM 23, illustrated by Barry Moser.

This one was available in the UK when I bought it for my church, but doesn’t seem to be now. It’s worth keeping an eye out for, however, as it uses the Biblical text and the illustrations have lots of details that can start discussions with children about what the psalm means and how they feel about it.

The imagery – a modern-day child like them, in a T-shirt, and other details – helps ground the psalm’s reassurances in a world familiar to children.

 

PSALMS FOR YOUNG CHILDREN, and IMAGES OF GOD, both by Marie-Helene Delval and illustrated by Arno.

These books have a simple format – a line or two of Scripture on one side of each spread, and a beautiful illustration on the other to bring it to life. The text is accessible even to toddlers, without diminishing the richness of it, and each page has a Biblical reference, so parents and older children can look up the original line and its context. These are also in our Resource Centre.

graphic-bibleFor older children, the LION GRAPHIC BIBLE, by Jeff Anderson and Mike Maddox, is very good at showing how the prophecy and poetry came to be written, and when in the story of God’s people the different parts of it appear. You see the Babylonian exile, and then you read the psalms written at that time, and hear the words of the prophets. It’s a very good introduction to some of the story of how the Bible came to be, and how the poems and prophesies fit into the whole. (Bear in mind I haven’t read all of this book, so there may be glaring problems with it I haven’t caught. But I’ve used parts of it with small groups and it’s all been good so far.) Again, we have a copy of this in the Resource Centre, so do borrow it.

What books have I missed? Add your recommendations in the comments!

 

 

New Christmas books!

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Just in time for Advent, I’ve bought a bunch of new Christmas books for the resource centre. They should be here within the week, so pop in and check them out if you’re around!

For those churches in our Diocese who are far from St Albans – if any of these look good, email me, and we can send around an APB to Holywell Lodge staff for anyone who will be in your area in the next few days and can bring you what you’d like to borrow.

cover1So without further ado, here’s what we now have …

Lois Rock is basically the rock star of under-5s Bible stories and prayers. This collection helps adults and very young children together explore the wonder and mystery of the Christmas season through prayer. Perfect for a toddler group, a creche, a visit to your local nursery, inspiration for your crib service …

 

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Another Lois Rock one – I first discovered this when my nephew was three and I gave it to him as a Christmas present. What makes it special is that it includes not only the Christmas story itself, but a wonderful collection of folklore and legends surrounding Christmas. The stories come from all around the world, making it a subtle way of teaching diversity and inclusion, and Alex Ayliffe’s wonderful illustrations are simple and colourful, but include interesting details for children to spot.

 

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As Elena Pasquali’s simple yet beautiful text tells the Christmas story, Giuliano Ferri’s illustrations tell a second, unspoken one – that of the peaceable kingdom. Bit by bit, the animals gather together around the manger. Lions and lambs lie down together. Bears and donkeys gather in peace. At the end, the text of Isaiah 11 connects this imagery to the prophesy of God’s Kingdom, where “they shall not hurt or destroy in all my holy mountain.”

 

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Another one that combines the Biblical Christmas stories with folklore and legend, this time aimed at older children. Here’s what the publisher says: “This beautifully presented volume of classic Christmas stories from around the world is written for children aged 7+ to enjoy reading alone, or for reading aloud in a classroom setting or with family sitting round a log fire! A mixture of stories from the Christian heritage and more secular tales, these retellings all evoke the true spirit of Christmas around the world. Included are Nativity stories from the Gospels of Luke and Matthew, the stories of Baboushka and Papa Panov, Fir Tree and The Nutcracker. The whole collection sparkles with colourful and detailed artwork from Jane Ray.” (It’s also worth pointing out that Jane Ray’s Mary and Joseph look genuinely Middle Eastern.)

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I’ve been an adult for a while now, but this book still sends a shiver of wonder up my spine whenever I read it. It’s based around the Mexican community in the American Southwest, and the tradition of Las Posadas – when Mary and Joseph go around the town looking for a safe place to stay. Here’s the publisher’s summary: “This year Sister Angie, who is always in charge of the clebration, has to stay home with the flu, and Lupe and Roberto, who are to play Mary and Joseph, get caught in a snowstorm. But a man and a woman no one knows arrive in time to take their place in the procession and then mysteriously disappear at the end before they can be thanked. That night we witness a Christian miracle, for when Sister Angie goes to the cathedral and kneels before the statue of Mary and Joseph, wet footprints from the snow lead up to the statue.”

I’d love to hear your recommendations for the Advent and Christmas books we should add to our library – do leave any thoughts in the comments! And let me know if you’d like to borrow any of these.

 

 

What about the boys?

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Today being International Men’s Day, it’s a good time to talk about boys.

20160207_105540 - Copy

Many churches, when I’m working with them on Junior Church, Messy Church, etc., will ask, “what about the boys?” When I ask for more information, they’ll say “they can’t sit still, they charge around, they make noise, they’re loud – how do we engage them in Junior Church or worship?”

Now, I’m firmly of the belief that we shouldn’t structure our children’s ministry around “boy stuff” and “girl stuff.” We should include a range of activities for different interests and levels of activity – some girls will be very fidgety, some boys will happily sit still and read for hours. And of course in any mixed-age group, age will play a huge role – a 9-year-old boy will be much more able to sit, listen, and participate in long discussions than a 6-year-old girl will.

So when we talk about “what about the boys?” in our children’s groups, what we’re really asking is, “what about the fidgety, physical, noisy children?” And they may be mostly boys, but if we phrase it as simply “a boy thing,” then a fidgety, physical girl may get the message that her way of being a girl is “wrong,” and a quiet, calm, boy may get the message that his way of being a boy is “wrong.”

So let’s take that “what about the boys?” question and ask … “what about the fidgety, noisy, physical kids?”

I have a group in my church right now that is about 80% fidgety, noisy, physical kids, and 20% kids who want to talk for ages.

This is a tough combination.

So yesterday, when a Sunday School session had turned into a total disaster, I found a moment during activity time, got down on the floor with some of the more fidgety ones, and we had a chat about what they needed.

When they said “Sunday School is BORING,” I said, “okay, how can we make it less boring for you?”

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Here are some of the things we’re going to try:

  1. A physical opening time. We’re going to start not by sitting for quiet prayer – that will come second (kids do need silence and stillness). But we’re going to start with making the sign of the cross (in the Diddy Disciples way, with words to go with it – “God be in my head, my heart, and all around me, Amen”). We’re then going to stomp out a rhythm to accompany reciting the books of the Bible (I did this with them once, when we were talking about the Bible being a library and having all kinds of different stuff in it, like poems and stories and rules and prophesy, and now a few of them have got obsessed with it and beg for it to be included every week, and I’ve given in). We’ll then have a physical opening to prayer (the “Gathering Song” bit from this Diddy Disciples session – you can speak the words if you’re not a confident singer) and then sit for some time of peaceful stillness.
  2. More games in response time. I tend to have a variety of activities out – kids can choose to do art, or play with spiritually imaginative toys, or play with the storytelling materials. So there are options for getting physical. But they’re not officially organised. These kids said they wanted to do games together. So we’re going to try a few over the next weeks (anyone have a good physical game for the Joseph and his brothers story?)
  3. Fidget toys. This isn’t news – in fact, during the disastrous session yesterday, one of the things I tried was handing out things for them to fidget with. But we had a LONG conversation about what the fidget toys were for, and what kind they could bring in – they wanted to bring in iPads, or things that could fly up to the ceiling of the room. So we set a few rules. YES, you can bring in a fidget toy from home. But it needs to be quiet, it needs to stay in your hand so it doesn’t distract others, and it needs to be something that settles your body so your mind can focus on the story, not something that is going to focus your mind on the toy itself. I passed these guidelines on to the parents after church, so the parents know that yes, I did tell them they could bring toys in, but so that the kids can’t go “Margaret told me I could bring my iPad to Sunday School next week!” This will hopefully also help the more fidgety ones to listen with more patience to the ones who like to talk things out.
  4. Physical engagement with the story. We do a bit of this already, but I need to step it up. So next week, based on a suggestion from the Spiritual Child Network Facebook group, I’m going to hand out Lego and we’re going to build the story as we tell it. Diddy Disciples is also an incredibly physical form of storytelling, and can work with children over the age of 5 as well as under. I’m also going to try having them use their bodies to make tableaux of each scene in the story as we tell it, and, in the spring, try taking them outside and walking around different places in the church garden and porch area, for different parts of the story.

What other suggestions do you have for engaging fidgety, physical, noisy children in storytelling, music, prayer, and response time?

And how do we put these ideas into practice in other contexts, such as All-Age Worship?

 

The Prodigal Daughter

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In 2016, I went to the European Conference of Christian Educators, where I saw Bibliologue storytelling done with chairs – you can find a short summary here.

I then used it when I did Prodigal Son prayer stations with Readers a few weeks ago – you can find a write-up of that here.

Now John Griffiths and Jonathan Evans, of St Cuthbert’s Church in Rye Park, have done a script using the image of a mother and two daughters, and given me permission to share it. They used it in worship on Mothering Sunday.

Note how most of it is simply the Biblical text, with a few small changes – and how the story is stopped at different points to wonder about how characters are feeling at that specific moment. By focusing on each section of the story individually, you might draw out details that would get missed if you saved up the wondering until the end. (However, for some people, it might interrupt the flow of the story, and they would get more by waiting until the end for wondering. This is why mixing up different approaches can be good.)

The Prodigal Daughter

 

Place three chairs by the steps of the sanctuary carpet.  One larger and two smaller and say:

There once was a woman who had two daughters.

Move the ‘younger daughter’ (i.e. a smaller chair) over in front of the mother’s chair. 

The younger daughter said to her mother, “Give me my inheritance NOW
so that I can enjoy it.”

pause

So the mother divided her property between them.

Move the ‘younger daughter’ a little way along the road. 

Place the mother in the centre.

Move the ‘older sister’ off to the side (almost out of the scene).

move to the younger daughter chair and say

The younger daughter gathered all she had and travelled to a distant country

She spent her money on wild parties and having a really REALLY good time.

Move the ‘younger daughter’ towards the ‘end of the road’ (top of the central aisle)

I wonder. What is the Mother thinking?

I wonder. What is her older sister thinking?

 

But the day came when she had spent all the money her mother had given her and she had nothing left. 

Turn the daughter’s chair onto its side.

There was a severe famine in that country and she was hungry and poor.
So she went and hired herself out. To a pig farmer. Who made her look after pigs.

She was so hungry that she would have been grateful if she was allowed to eat what the pigs were eating; but no one gave her anything.

 

Then she came to her senses, she said to herself

“All my mum’s maids have plenty to eat, but here I am dying of hunger!

I wonder What is the younger daughter thinking?

 

I know what I’ll do. I will go to my mother, and I will say to her, “Mother, I have sinned against heaven and before you; I am no longer worthy to be called your daughter;  could you give me a job around the house?”

Move the daughter on the road towards the other two chairs

So she set off to return to her mother.

Move the mother down the road towards the daughter, say:

While she was still far off, her mother saw her and was filled with compassion;

Her mother ran and put her arms around her and kissed her.

Move both the mother and daughter close to one another at the bottom of the aisle say:

Her daughter said to her, “Mother, I have sinned against you; 

I am no longer worthy to be your daughter.”

But the mother said to the staff, “Quickly, bring a dress – my very best one  – and put it on her; put a ring on her finger and my favourite shoes.

Remember her favourite meal? – go and make it, and let’s eat and celebrate;
for my daughter was dead and is alive again; she was lost and is found!”

And they all began to celebrate.

Move the mother and daughter’s to the centre of the sanctuary blue carpet

When the elder daughter came home, she heard music and dancing.

She called one of the maids and asked what was going on.

The maid replied, “Your sister has come home, and your mother has made her favourite because she got her back safe and sound.”

But the older daughter became angry and refused to go in.

 

What is the older daughter thinking?

What is the mother thinking?

 

Move the mother to the back of the carpet in front of the elder daughter, say:

Her mother came out and began to plead with her.

Twist away the elder sister and say

She said to her mother, “Listen! For all these years I have been slaving away for you, and I have never disobeyed you in anything; yet you have never given me a single night in with my friends.  But when young madam went off and played the tart and wasted all your money comes back. YOU treat her like a princess!

Move to the Mother chair, and say

The mother said to her, “Oh Darling, you are always with me, and everything that is mine is yours. But we had to celebrate, because your sister was dead and has come to life; she was lost and now she’s found.”

What was your favourite part of the story?

What was the most important part of the story?

Which person in the story did you most connect with? 

New Shared Resource!

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We’ve had a few people ask for a centralised resource bank where we can all share lesson plans, worship ideas, story scripts, and so on, that have worked for us.

I’ve created a Google account using the Children’s Mission Enabler email address – you can all log in with it, contribute your own documents, download other people’s, etc. All the resources are FREE, but by contributing your own, you certify that a) this is your work, and b) you’re okay with other churches and groups using it for free.

To log in, go to Google.co.uk, and make sure you’re signed out of any other Google accounts you have. Then log in using:

Email address: cme@stalbans.anglican.org

Password: matthew185 (for Matthew 18:5 “whoever welcomes one such child in my name welcomes me.”)

So far, I only have three folders – I expect there will be more later on:

drive

To add your own, double-click on the folder you want to save it in, then either drag and drop files, or use the blue “NEW” button at the top:

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To download a resource, double-click on it. This will open it up in the browser. Then click on the download arrow in the top right. You can also print it directly from the browser using the printer icon next to the download arrow.

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I hope this is useful! Do let me know how you get on – you can reach me on the email listed above.

Toddler Group Inspiration – Small Saints

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small-saintsA few weeks ago, I visited Ruth Harley’s  “Small Saints” toddler group in High Wycombe, along with one of our Diocese’s Children’s Workers. The group happens at the same time as a cafe in the church, so there were people of different generations using the church in different ways.

I managed to capture a bit of the storytelling – they were doing Jonah and the whale. Here are a few tips I noticed from how Ruth told the story.

  1. The children are involved – they’re touching the cloth and moving it. Under-5s are very physical.
  2. She keeps it short. The video is 90 seconds, and I’d only missed about a minute of the story. Toddler attention spans are not long.
  3. She asks questions. “What do you think happened next?”
  4. She lets the story be a story. She finishes by saying “that’s our story for today” – she doesn’t turn it into a moral. Children’s imaginations are sparked by stories – immediately repeating a moral can ruin the story’s power for them. (Wondering together about the story in an open-ended way is different, but difficult with a group primarily of 2-and-3-year-olds.)

Click here for the video.

Another brilliant thing Ruth did was have several of the songs in singing time be Christian songs that were sung to familiar nursery rhyme tunes. This made it much easier for the mums and dads to join in (and repeat the songs at home) since they already knew the music. Here are two.

To the tune of “London Bridge is Falling Down”

God is with us when we sing, when we sing, when we sing,

God is with us when we sing, God is with us.

(repeat with “jump, stamp, clap, etc” – doing all the actions as you sing them. If you need to calm the children down, you can finish with “sleep.”)

To the tune of “Row Row Row Your Boat”

Worship God today, worship with a clap!

Joyfully, joyfully, joyfully, joyfully, worship with a clap!

(again, do the movements as you sing them – repeat with whatever movements you like, including suggestions from the children.)

Author we love: Lois Rock

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If you work with under-5s, you probably know Lois Rock. If you don’t, you have a treat in store.

Probably best known for her toddler-friendly “My Very First Bible,” Rock has also edited and written books of prayers, and authored “My Very First Christmas,” which includes Christmas folklore and legends as well as the Christmas story.  She has also written Christening gift books and some secular non-fiction that can be used for pastoral care of families, like helping children adjust to a new baby in the house.

Many of the stories from “My Very First Bible” are also available as individual books – some in big-book format, which is great for large groups.

Her writing is clear and simple without being simplistic. She doesn’t talk down to children. She includes some of the non-story parts of the Bible, such as the Lord’s Prayer, by showing how they came to be told. And, in many cases, she adds vital details that are often left out of retellings for very young children – for example, it’s made clear, in her retelling of the Good Samaritan, that Jesus’s listeners wouldn’t have liked the Samaritans. So the crucial element – that the parable isn’t just about “being nice” but about rethinking who your enemies are – is maintained.

An extra note of praise must be given to the illustrator of many of her books, Alex Ayliffe. The illustrations, like the text, are simple without being simplistic, and contain lots of little details that children will notice. The colours are bright, and the shapes attractive even to babies. Sophie Allsopp illustrates some of her others, with wonder and charm.